
CenterPoint Theatre announces auditions for The Count of Monte Cristo, directed by Jennifer Westfall, with Fight Choreography by Spencer Hohl and Stage Management by Marissa Olson.
Auditions: Saturday, September 26 • 10:00 AM–1:00 PM
Callbacks: Tuesday, September 29
First Cast Meeting: October 7
Rehearsals Begin: November 2
Performances: January 27–March 2
All those auditioning must complete the online audition form before submitting a video audition or scheduling an in-person audition time.
All roles are open, and performers of all ethnicities are encouraged to audition.
In-person auditions will take place Saturday, September 26, from 10:00 AM–1:00 PM. A link to select an audition time is included in the Audition Form.
Please prepare:
Character descriptions can be found below or viewed using the link:
Please be prepared to provide all conflicts from November 2 through March 2, along with a digital copy of your headshot and résumé.
Callbacks are scheduled for Tuesday, September 29. The first cast meeting will be October 7, with rehearsals beginning November 2.
Auditions will be held at CenterPoint Theatre:
525 North 400 West
Centerville, Utah
Enter the building on the west side through the basement entrance.
Out-of-town performers are welcome to audition. Please be aware that CenterPoint Theatre is unable to provide housing or transportation for those cast in the production.
An actor reimbursement of $700 is available to everyone cast in the show.
Please email auditions@cptutah.org with any questions.
A young sailor who begins the story with everything to live for, including his imminent marriage to Mercedes, the woman he adores. He is falsely accused and betrayed by four men in his life who desire his good fortune and his fiancée. After 14 years of imprisonment, he escapes but has become twisted and bitter. He spends the next five years planning his vengeance and destroying the lives of the men who betrayed him.
A young woman from Marseille and Dantes’ fiancée. After being told her beloved is dead, she marries Mondego, her cousin and one of the betrayers of Dantes. She needs to portray the young woman looking forward to her new life and then the middle-aged woman who ends up in a loveless marriage.
A fiercely jealous, ambitious, and ultimately disgraced antagonist of Dantes. He serves as the driving force behind Dantes’ wrongful imprisonment, motivated entirely by his obsession with Mercedes.
A fellow prisoner with Edmond in the deplorable Chateau D’If. He becomes a surrogate father and mentor to Dantès and is the architect of the Count’s entire transformation. Faria provides Dantès with the intellectual tools, psychological clarity, and staggering wealth needed to carry out his epic plot of revenge. He is a man of God and tries desperately to pull Edmond back from his plan of revenge.
A beautiful, tragic Greek princess who serves as a living instrument of the Count’s revenge and, ultimately, the key to his emotional redemption. Rescued by the Count after being sold by Mondego into slavery, she pursues her vengeance toward the man who murdered her father.
The purser on the ship Pharaon and a mate of Dantes. Jealous of Dantes’ rise to captain and driven by intense jealousy and insatiable greed, he is the mastermind behind the conspiracy that wrongfully imprisons Dantes. Unlike his co-conspirators, who suffer physical ruin or madness, Danglars is systematically destroyed through his single greatest passion: his wealth.
Villefort is the third and most central antagonist and destroys Dantes to protect his own political career and family secret. As crown prosecutor, he is portrayed as a cold, highly intelligent legal mind who eventually spirals into madness under the weight of his own sins and the Count’s meticulous vengeance.
She is the aristocratic, fiercely independent, and highly enterprising wife of Baron Danglars. Rather than being a passive bystander, Hermione is deeply involved in her own financial schemes, high-society gossip, and secret love affairs that directly tie the major villains of the novel together.
The deeply sinister and calculating second wife of Crown Prosecutor Gérard de Villefort. Driven by a fanatical obsession with her young son’s financial future, she acts as a lethal, silent executioner within the Villefort household. A serial poisoner.
The son of the hated Fernand Mondego, Albert takes after his mother and is loyal, honorable, yet naive. While he challenges Dantes to a duel out of anger, he admits his wrong and drops his father’s name and title.
Valentine is the novel’s embodiment of innocence, gentleness, and enduring loyalty. She serves as the ultimate romantic heroine, whose tragic suffering under her stepmother’s attempted poisoning brings out the protective, merciful side of the Count of Monte Cristo. She refuses to marry for wealth and remains true to her love.
The noble patriarch of the Morrel family and the owner of the shipping firm Morrel & Son. He is one of the very few characters in the book who stands as a beacon of absolute loyalty, honesty, and moral integrity. He is Dantes’ employer, his greatest defender after his wrongful arrest, and the man whose family the Count vows to protect forever. Father to Maximillian.
He is the son of the honest shipowner Pierre Morrel and represents the absolute pinnacle of loyalty and virtue, serving as the ultimate counterweight to the novel’s villains. In love with Valentine.
Greedy and cowardly, Gaspard Caderousse is an innkeeper in Marseilles during the betrayal of Dantes. While not participating directly, he watches it happen and says nothing to authorities.
A murderer and a thief, he is the illegitimate child of the corrupt Crown Prosecutor Gérard de Villefort and Hermine Danglars. He serves as a lethal pawn in the Count’s grand plan for vengeance. He is a product.
He belongs to a circle of wealthy young bachelors, including Albert, using these ties to maintain his high social standing. Greedy and corrupt, he uses stolen state secrets to manipulate the stock market for personal wealth. He has an affair with Madame Danglars, yet abandons her to her fate when their scheme fails.








Specific audition information is released 2-3 weeks prior to the audition date. Once those details are released, audition signups will begin. For questions about auditions email the theatre at auditions@cptutah.org.
Auditions will take place at the theatre located at 525 North 400 West in Centerville. Enter the building on the west side basement entrance.
VIEW MAPTheatre is subjective. The most important part is the audition itself. However, many factors go into casting a production, such as height, weight, look, personality, acting ability, conflicts, past experience, presence, work ethic, doubles, doubles conflicts, age, etc. If we were not able to use you in a past production, please continue to audition. Our production team strives to provide a safe environment in which to promote artistic expression. Break a leg!

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